Professor Lillian-Yvonne Bertram and Hoa Nguyen ’91 Receive Foundation for Contemporary Arts Grants to Artists
They’re among four poets internationally to receive the award.
Through the lens of critical race theory, the essays collected here explore new analytical models, theoretical frameworks, and methodological approaches in attempting to reimagine the European Renaissance and early modern periods in terms of global expansion, awareness, and participation. Centering race in these periods requires that we acknowledge the people against whom social hierarchies and differential treatment were directed. This collection takes Europe as its focus, but White Europeans are not centered in it and the experiences of Black Africans, Asians, Jews and Muslims are not relegated to the margins of a shared history. Situating Europe within a global context forces the reconsideration of the violence that attends the interaction of peoples both across cultures and enmired within them. The less we are attentive to the cultural interactions, cross-cultural migrations and global dimensions of the late medieval and early modern periods, the less we are forced to recognize the violence, intolerance, power struggles and enforced suppressions that attend them.
Read more about The Cultural History of Race in the Renaissance and Early Modern Age (1350-1550).
The Rodler-Wood Scholarship provides $1,000 to support student success in their upcoming academic year. Selection is based on one or more of the following criteria: demonstrated financial need, hardship based on sexual orientation, academic interest in LGBT Studies and extracurricular activities on behalf of LGBT issues.
The Clara and Robert Vambery Distinguished Professor of Comparative Studies award is offered by the Comparative Literature Department, with MITH as a collaborator. Those candidates selected for the Vambery Distinguished Professorship who propose projects involving digital media are eligible to become MITH Vambery Fellows.
The Dialectical Questions offers an English translation of the Erotemata Dialectices, the final and fullest textbook on the art of
argumentation written by the reformer and educational innovator
Philip Melanchthon (1497-1560). Representing an era when rhetoric
and dialectic were seen as interdependent, companion arts,
Melanchthon’s textbook was widely used in Protestant Latin
schools and universities during the Reformation. The translation
tracks revisions to the text across its lifetime editions (1547-1560)
and traces its classical sources. The introduction chronicles the
personal and political upheavals that Melanchthon experienced
during its composition, and provides an overview of its rich and
complex content. It then focuses on the unique feature that sets
this work apart from other early modern dialectics: its many
sample arguments drawn from medicine and natural philosophy.
On Jan. 3, 1867, nearly two years after the end of the Civil War, Frederick Douglass stood before a full house of hundreds of African Americans at Philadelphia’s National Hall. He had been invited to speak in a Black lecture series organized by William Still, famous for his work on the Underground Railroad.
As recounted by the Philadelphia Daily Evening Telegraph, the celebrated African American singer Elizabeth Taylor Greenfield performed several arias before Douglass’s introduction. Douglass then took the stage to speak on the “Sources of Danger to the Republic.” The Telegraph reported that he “was frequently interrupted by applause, and evidently made the best effort of his life.”
“Anat Zanger’s Jerusalem in Israeli Cinema: Wanderers, Nomads, and the Walking Dead,” Israel Studies Review, Volume 36, Issue 2, Autumn 2021.
Argues that Byzantine accounts of the power and responsibility of language of the ninth- to eleventh-century attributed tremendous gravity to the role of the spoken word (logos prophorikos), regarding it as an active participant in the object of speaking.
Over the past 30 years, early modern studies has been increasingly interested in the emergence of race as a category of identity, one that could variously demarcate groups of people along lines of lineage, nationality, religion, and skin color. Indeed, the varied usages of the term race in early modern texts makes it rich site for examining the complexity and intersections of early modern embodiment, identity formation, representational practices, and power relations. Scholars have uncovered how early moderns understood the causes of bodily difference—skin color and the multiple valences of complexion, for example—between different groups of people. Studies have examined the extent to which early modern English people understood themselves as distinctive and different from the Spanish, the Irish, Africans, Asians, and others. Attention to the rhetorical strategies used to describe non-European peoples and the uncovering of the material practices of staging non-Europeans in drama, for example, have exposed the role of race in the early capitalist enterprises of international trade and the rise of the commercial theatre. Somatic difference, belief, and lineage are now understood by scholars as establishing moral and religious hierarchies that provided a foundation for justifications of colonial enterprises and the slave trade.
This special issue of Spenser Studies turns its attention to the dark side of Spenser’s imagination. Race is a strategy. It essentializes people as objects or instruments of power relations, and naturalizes political, economic, social, and sexual arrangements. Authors examine racialization in Spenser’s works from various methodological and critical vantage points.
ONCE A SPECIALIZED SCHOOL of thought developed in law schools, critical race theory (CRT) has become a favorite wedge issue for the Republican Party. During the final months of his presidency, Trump warned that CRT was infiltrating American schools and ordered a halt to what he claimed was CRT-inspired diversity training in federal agencies. Florida’s governor, Ron DeSantis, regularly refers to CRT as a Marxist plot to undermine the nation, and Christopher Rufo, director of the Center on Wealth and Poverty at the conservative Discovery Institute, terms it “a grave threat to the American way of life.”
Read Frederick Douglass and the Trouble with Critical Race Theory