Transatlantic Studies

Our Faculty

Faculty Bookshelf

Author,Imagined Homelands: British Poetry in the Colonies
Johns Hopkins University Press,2017
Cover of "Racial Reconstruction"
Author,Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship
NYU Press,2015
Cover Picture
Editor,The Killers: A Narrative of Real Life in Philadelphia
University of Pennsylvania Press,2014
Author,Emily Dickinson: A User's Guide
Wiley Blackwell ,2013
Co-Advisor ,Emily Dickinson Archive
Harvard University Press ,2012
,Our Conrad: Constituting American Modernity
Stanford University Press,2010
,Neither Fugitive Nor Free: Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel
New York University Press,2009
Author,Electric Meters: Victorian Physiological Poetics
Ohio University/Swallow Press,2009
Co-Editor,Emily Dickinson's Correspondences: A Born-Digital Textual Inquiry
The University of Virginia Rotunda Press,2008
Co-Editor, with Mary Loeffelholz,A Companion to Emily Dickinson
Wiley-Blackwell,2008
Editor,The Secret Agent, by Joseph Conrad
Modern Library,2004
Co-Editor, with Carola Kaplan and Andrea White,Conrad in the Twenty-first Century: Contemporary Approaches and Perspectives
Routledge,2004
Editor,Victory, by Joseph Conrad
Modern Library,2003
Editor,Almayer's Folly: A Story of an Eastern River, by Joseph Conrad
Modern Library,2002
Editor,Under Western Eyes
Modern Library Classics,2001
Co-editor, with Ellen Louise Hart,Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson
Paris Press,1998
Christina Walter, OPTICAL IMPERSONALITY (2105)
Author,Optical Impersonality: Science, Images, and Literary Modernism
Johns Hopkins University Press,2014

Upcoming Events

News

February 20, 2018
The English Department is delighted to announce that Professor GerShun Avilez will be joining us this fall as Assistant Professor of English at the University of Maryland.
February 15, 2018
The English Department is delighted to announce that Professor David Simon will be joining us this fall as Assistant Professor of English at the University of Maryland.
February 6, 2018
John Macintosh recently presented two papers, “Abstraction and/as Catachresis in Don DeLillo’s Cosmopolis” at Intersections of Finance and Society at City College London, and “Who Is Precarious Now?” at the Modern Language Association's 2018 convention.
February 6, 2018
Jonathan Williams's article, "Deathly Sentimentalism: Sarah Fielding, Henry Mackenzie," is in print in Eighteenth-Century Fiction 30.2 (Winter 2017-2018).
February 6, 2018
Some of Joshua Weiner's "Trumpoems" showed up in Lana Turner, the journal edited by Calvin Bedient, as well as in Tikkun magazine, and the journal, Scoundrel Time, which can be viewed here.
February 6, 2018
Some of Joshua Weiner's "Trumpoems" showed up in Lana Turner, the journal edited by Calvin Bedient, as well as in Tikkun magazine, and the journal, Scoundrel Time, which can be viewed here.
February 6, 2018
Lyra Hilliard has received a 2017-2018 CCCC Emergent Researcher Award of $10,000 for her project “Cross-Institutional Study of Communities of Inquiry in Blended and Online Composition.” Lyra is researching to what extent online and blended writing courses function as communities of inquiry and how the community of inquiry framework is applicable to Writing Studies. 
February 6, 2018
Peter Witte's drawings were published on The Florida Review's "Aquifer." The drawings, excerpted from Peter's project called "After Kafka," explore and are inspired by Franz Kafka's shorter works.
February 6, 2018
Robert Lucci will present his paper “Staring Down the Panopticon: Surveillance and Resisting the Controls of Whiteness, Chester Himes and If He Hollers, Let Him Go” at both the Frederick Douglass Institute’s 2018 Bicentennial Conference and the 2018 MELUS conference.
February 6, 2018
Kent Cartwright is in his second of two years as a Visiting Scholar at Ca’ Foscari University of Venice. In November, he gave a talk there at conference on “The City in Elizabethan Comedy,” along with three other public talks at Ca’ Foscari in November and December on topics that included Shakespeare comedy and the history of close reading. In October, he also gave a talk on comedy at a Shakespeare conference at the University of Cambridge. His essay on “Time in Shakespearean Comedy" will appear in February in a volume on Temporality, Genre and Experience in the Age of Shakespeare, edited by Lauren Shohet (Arden Bloomsbury), and the next issue of Shakespeare Newsletter will feature his reflection on the July 2016 performance of The Merchant of Venice in the Jewish Ghetto in Venice.