Postmodern and Contemporary

Our Faculty

Faculty Bookshelf

Author,Skeleton Coast
Flood Editions,2017
Author,Berlin Notebook: Where are the Refugees?
Los Angeles Review of Books ,2016
Editor,Zones of Control: Perspectives on Wargaming
The MIT Press,2016
Author,Track Changes: A Literary History of Word Processing
Harvard University Press,2016
Author,Unnatural Narrative: Theory, History, and Practice (THEORY INTERPRETATION NARRATIV)
Ohio State University Press,2015
Author,Life
Flood Editions,2014
Author,Emily Dickinson: A User's Guide
Wiley Blackwell ,2013
,A Poetics of Unnatural Narrative
Ohio State University Press; 1 edition ,2013
,The Figure of a Man Being Swallowed by a Fish
The University of Chicago Press,2012
Co-Advisor ,Emily Dickinson Archive
Harvard University Press ,2012
,Narrative Theory: Core Concepts and Critical Debates (Coauthored)
Ohio State University Press,2012
Co-Editor, with Samuel Cohen,The Legacy of David Foster Wallace
University of Iowa Press,2012
,Digital Forensics and Born-Digital Content in Cultural Heritage Collections
Council on Library and Information Resources,2010
,Effacement
Flood Editions,2010
Author,Pop Apocalypse: A Possible Satire
Harper Perennial ,2009
Editor,At the Barriers: On the Poetry of Thom Gunn
University of Chicago Press,2009
Co-Editor,Emily Dickinson's Correspondences: A Born-Digital Textual Inquiry
The University of Virginia Rotunda Press,2008
,Narrative Beginnings: Theories and Practices
University of Nebraska Press,2008
Co-Editor, with Mary Loeffelholz,A Companion to Emily Dickinson
Wiley-Blackwell,2008
,Mechanisms: New Media and the Forensic Imagination
MIT Press,2007
,Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction
Ohio State University Press,2006
,Civilization
Flood Editions,2006
,From the Book of Giants
,2006
Editor,Narrative Dynamics: Essays on Time, Plot, Closure, and Frames
Ohio State University Press,2002
,The World's Room
University of Chicago Press,2001
,The Reef
University of Chicago Press,1999
Co-editor, with Ellen Louise Hart,Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson
Paris Press,1998
,Unlikely Stories: Causality and the Nature of Modern Narrative
University of Delaware Press,1997
Christina Walter, OPTICAL IMPERSONALITY (2105)
Author,Optical Impersonality: Science, Images, and Literary Modernism
Johns Hopkins University Press,2014

News

February 15, 2018
The English Department is delighted to announce that Professor David Simon will be joining us this fall as Assistant Professor of English at the University of Maryland.
February 6, 2018
John Macintosh recently presented two papers, “Abstraction and/as Catachresis in Don DeLillo’s Cosmopolis” at Intersections of Finance and Society at City College London, and “Who Is Precarious Now?” at the Modern Language Association's 2018 convention.
February 6, 2018
Jonathan Williams's article, "Deathly Sentimentalism: Sarah Fielding, Henry Mackenzie," is in print in Eighteenth-Century Fiction 30.2 (Winter 2017-2018).
February 6, 2018
Some of Joshua Weiner's "Trumpoems" showed up in Lana Turner, the journal edited by Calvin Bedient, as well as in Tikkun magazine, and the journal, Scoundrel Time, which can be viewed here.
February 6, 2018
Some of Joshua Weiner's "Trumpoems" showed up in Lana Turner, the journal edited by Calvin Bedient, as well as in Tikkun magazine, and the journal, Scoundrel Time, which can be viewed here.
February 6, 2018
Lyra Hilliard has received a 2017-2018 CCCC Emergent Researcher Award of $10,000 for her project “Cross-Institutional Study of Communities of Inquiry in Blended and Online Composition.” Lyra is researching to what extent online and blended writing courses function as communities of inquiry and how the community of inquiry framework is applicable to Writing Studies. 
February 6, 2018
Peter Witte's drawings were published on The Florida Review's "Aquifer." The drawings, excerpted from Peter's project called "After Kafka," explore and are inspired by Franz Kafka's shorter works.
February 6, 2018
Robert Lucci will present his paper “Staring Down the Panopticon: Surveillance and Resisting the Controls of Whiteness, Chester Himes and If He Hollers, Let Him Go” at both the Frederick Douglass Institute’s 2018 Bicentennial Conference and the 2018 MELUS conference.
February 6, 2018
Kent Cartwright is in his second of two years as a Visiting Scholar at Ca’ Foscari University of Venice. In November, he gave a talk there at conference on “The City in Elizabethan Comedy,” along with three other public talks at Ca’ Foscari in November and December on topics that included Shakespeare comedy and the history of close reading. In October, he also gave a talk on comedy at a Shakespeare conference at the University of Cambridge. His essay on “Time in Shakespearean Comedy" will appear in February in a volume on Temporality, Genre and Experience in the Age of Shakespeare, edited by Lauren Shohet (Arden Bloomsbury), and the next issue of Shakespeare Newsletter will feature his reflection on the July 2016 performance of The Merchant of Venice in the Jewish Ghetto in Venice.
February 6, 2018
On Oct. 1, 2017, Michael Olmert was on the Talkback panel after Harold Pinter's two one-act plays, The Lover and The Collection, at The Shakespeare Theatre in Washington. Olmert was also asked by Yale University Press to vet the publication of Alberto Manguel's latest book, Packing My Library: An Elegy and Ten Digressions.. This is the second of Manguel's very fine books Olmert has reviewed for Yale.