Postmodern and Contemporary

Our Faculty

Faculty Bookshelf

Author,Skeleton Coast
Flood Editions,2017
Author,Berlin Notebook: Where are the Refugees?
Los Angeles Review of Books ,2016
Editor,Zones of Control: Perspectives on Wargaming
The MIT Press,2016
author ,Cool Characters: Irony and American Fiction
Harvard University Press,2016
Author,Track Changes: A Literary History of Word Processing
Harvard University Press,2016
Author,Life
Flood Editions,2014
Author,Emily Dickinson: A User's Guide
Wiley Blackwell ,2013
,The Figure of a Man Being Swallowed by a Fish
The University of Chicago Press,2012
Co-Advisor ,Emily Dickinson Archive
Harvard University Press ,2012
Co-Editor, with Samuel Cohen,The Legacy of David Foster Wallace
University of Iowa Press,2012
,Digital Forensics and Born-Digital Content in Cultural Heritage Collections
Council on Library and Information Resources,2010
,Effacement
Flood Editions,2010
Author,Pop Apocalypse: A Possible Satire
Harper Perennial ,2009
Co-Editor,Emily Dickinson's Correspondences: A Born-Digital Textual Inquiry
The University of Virginia Rotunda Press,2008
Co-Editor, with Mary Loeffelholz,A Companion to Emily Dickinson
Wiley-Blackwell,2008
,Mechanisms: New Media and the Forensic Imagination
MIT Press,2007
,Civilization
Flood Editions,2006
,From the Book of Giants
,2006
,The World's Room
University of Chicago Press,2001
,The Reef
University of Chicago Press,1999
Co-editor, with Ellen Louise Hart,Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson
Paris Press,1998
Christina Walter, OPTICAL IMPERSONALITY (2105)
Author,Optical Impersonality: Science, Images, and Literary Modernism
Johns Hopkins University Press,2014

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News

March 14, 2019
Crystal Parikh's book entitled Writing Human Rights: The Political Imaginaries of Writers of Color has won the 2019 Association for Asian American Studies Award for Outstanding Achievement in Humanities and Cultural Studies: Literature.
March 14, 2019
Maud Casey has been selected to be the AY19-20 Long Teaching Fellow. Each academic year, one tenure-track faculty member seeking to enhance the classroom experience serves as the Department of English’s Long Teaching Fellow.
March 14, 2019
During spring break, many current and former (and an incoming) members of the English Department will be participating at the annual American Society for Eighteenth-Century Studies conference in Denver, CO. 
March 13, 2019
NCTE hosts its annual CCCCs convention in Pittsburgh March 13-16, 2019. UMD English faculty, students, and alumni present research in twenty-one sessions.
March 11, 2019
Tyrus Miller, Dean of the Humanities at UC Irvine, observes, "The humanities are where many future leaders, communicators, scholars, CEOs, storytellers, creatives, directors, writers and entrepreneurs come to get their start. While the disciplines of the humanities themselves are distinct, together they provide students with a common set of skills that employers of today, and especially those of the future, will rely on."
March 8, 2019
Joshua Weiner's translations of Silesius, Goethe, and Ernst Janl were published last month in Great River Review, the literary journal revived by Peter Campion at University of Minnesota.  Three new poems appear in the current issue of Manchester Review (UK).
March 8, 2019
Wild Nights With Emily, the feature film based on Martha Nell Smith’s work, opens April 12th at the Landmark 57 and the Quad in New York and The Landmark in LA, and then in 50 cities after that. 
March 6, 2019
Barry Lee Pearson was an interview subject and contributor to "American Icons: 'Cross Road Blues.'" 
March 6, 2019
DeLisa D. Hawkes is the winner of the 2019 ALSCW Dissertation Fellowship. 
March 6, 2019
Kent Cartwright had three essays on Shakespeare published or about to be published in 2019, including a self-interview on Hamlet; an essay on secularism and wonder in All’s Well That Ends Well; and a much enlarged version, for book publication, of his review of the 2016 production of The Merchant of Venice in the Venetian Ghetto.  He continues to make progress on his monograph, “Shakespeare and the Comedy of Re-Enchantment.”