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February 4, 2020
Dominique Young has three forthcoming presentations in the Spring--two at the NeMLA Conference in Boston, and the third at the Annual Black Popular Culture Conference in Philadelphia, focusing on Marvel's Black Panther and the music performance of D'Angelo through Disability Studies, Black Feminism, critical race theory, and performance theory.
February 4, 2020
Last Fall, Nahid Ahmadian worked as a dramaturg for a production by the Alma Theatre Company at the John F. Kennedy Center for the Performing Arts. She also published articles in Literary Criticism Quarterly and the Iranian newspaper Shargh Daily.
January 28, 2020
The African America Digital Humanities Initiative and the Teaching and Learning Transformation Center recognize Infante's project to revamp his class, "Race, Children's TV, and the Legacies of Jim Henson."
January 26, 2020
Professor Emeritus Robert Kolker has published two books recently: The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema (Rutgers University Press), and, co-authored with Nathan Abrams, Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film (Oxford University Press).
January 9, 2020
Faculty, graduate students, and alumni present current research findings at the annual Modern Language Association convention in Seattle, WA, from 9-12 January.
December 9, 2019
Matthew Kirschenbaum, invited to write the feature for Washington Independent Review of Books, notes that the makerspace helps the department "support the university’s emphasis on innovation, creativity, and hands-on learning" and "externalize [its] identity . . . in some unusually visible and tangible ways."
September 13, 2019
Memorial services for each Virginia Beauchamp and Stanley Plumly will take place this month.
September 5, 2019
Dominique Young, a fourth year PhD Student in the English Department, has several past and forthcoming projects.
September 5, 2019
Martha Nell Smith will give an invited talk on the Humanities in the Digital Era at the Herrenhausen Symposium, participated in a roundtable he Emily Dickinson International Society (EDIS)’s International Conference, and had contributions featured in the New York Times and Washington Post.
September 5, 2019
Oliver Gaycken attended the XXVI Visible Evidence conference in Los Angeles in July, where he presented a paper about Fantastic Voyage and André Bazin's documentary aesthetics. He has been named a Senior Fellow at the Institute for Advanced Study on Media Cultures of Computer Simulation at the Leuphana University of Lüneburg, where he will be in residence during the summer of 2020.