On Saturday, April 1st, Tom Earles, Clara Montague, Julia Maier, Jessica Morris, Charlotte Racioppo, and Leigh Ryan all presented at the Mid-Atlantic Writing Centers Association Conference at Penn State Berks in Reading, PA.
Holly Smith (firstname.lastname@example.org) announces that the nonprofit Washington Independent Review of Books will host a millennial-friendly literary salon on April 19th in Georgetown. If you have any aspiring-author students who might like to attend (or if you'd like to attend whether or not you're a millennial yourself), please let her know!
Brian Richardson’s 2015 book, Unnatural Narrative: Theory, History, and Practice, was re-issued in paperback.He published an article on “Unnatural Narrative Theory” and responded to several commentators on the subject in the latest issue of Style. He also published “The Difference of Fiction,” in Life and Narrative: The Risks and Responsibilities of Storying Experience, eds. Brian Schiff and A. Elizabeth McKim (Oxford UP).He spoke on “Unnatural Endings in Fiction and Film” at the International Narrative Conference in Lexington KY in March and is giving an invited lecture on “Fiction, Nonfiction, and Historical Drama” at the University of Freiburg in May.He gave a block seminar for graduate students and faculty on Narrative Dynamics at the University of Lisbon in early March.This semester he is a Fellow at the Freiburg Institute of Advanced Study.
MFA Candidate Chris Philpot has two poems ("Occupations of Uninhabited Space" and "I Am Full of Dread") in the most recent issue of Forklift, Ohio, and his poem "Category: Deserts of Utah" is forthcoming in the next issue of Whiskey Island. He also recently published an article ("Diva Worship as a Queer Poetics of Waste in D. Gilson's Brit Lit) in the recent anthology Sontag and the Camp Aesthetic: Advancing New Perspectives, published by Lexington Books.
Kent Cartwright’s essay on The Comedy of Errors and classical Greece has just been published as the lead essay in Shakespeare and Greece, ed. Alison Findlay and Vassiliki Markidou (London: Bloomsbury, 2017). He also recently gave a public lecture on “Italy and Place in Shakespeare's Comedies” to the Circolo Italo Britannico Venezia in Venice, Italy, and in April, in Florence, Italy, he is speaking on Much Ado About Nothing at a conference of the Italian Association of Shakespeare and Early Modern Studies.